Table of Contents
I. Music – Work of Art, Intention, Event?
Ross P. Cameron: There are No Things That are Musical Work.
Jakub Chachulski: Between the Score and the Rendition. On Difficulties With Identity of Musical Work of Art Once Again.
Marta Rendecka: Boris Asafiev’s Concept of Musical Form – Between Marxist Aesthetics and Hegel’s Philosophy of Music.
II. On the Perception of Musical Work of Art
Justyna Humięcka-Jakubowska: Implementation of Creative Strategies and Perceptive Listener’s Expectation.
Piotr Podlipniak: The Specificity of Tonal Music Experience in the Light of the Contemporary Understanding of Music Adaptability.
Krzysztof Lipka: Intentional Object in the Context of the Creative Process.
Ewa Schreiber: Music and the Experience of Space and Movement. Between Conceptual Metaphor and Perception.
Marcin Napiórkowski: Difficulty of Classical Music as a Contemporary Trial of Initiation.
Anna Chęćka-Gotkowicz: In Pursuit of Speech, Music and Body adventures: Sensual Discourse of Pascal Quignard.
Rafał Ilnicki: „Maldoror’s Mechanical Singing” – On the Experience of Industrial Music.
III. Reviews
Michał Nakoneczny: Stephen Davies, Themes in the Philosophy of Music.
Anna Chęćka-Gotkowicz: Between Euphony and Disgust Or the Modern History of Ear.