34 – 2009

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Table of contents

I. The Perspectives of Contemporary Aesthetics

Iwona Lorenc: Introduction to the Aesthetic Panel ’Contemporary Aesthetics in Perspective’.

5

Krystyna Wilkoszewska: Community of Experience.

9

Grzegorz Dziamski: Art in Times of Globalization.

18

Ewa Rewers: Instead of Creation – Invention.

26

Anna Grzegorczyk: The Tiredness of Aesthetics – Back to the Origins.

30

Teresa Pękala: Tradition and Innovation in Polish Aesthetics.

35

Iwona Lorenc: On Relational Aesthetics.

41

Anna Wolińska: ’Now’ – Aesthetic Experience.

45

Katarzyna Sobczuk: On the Actuality of Irony.

II. Image – Painting, Film, Photography

53

Anna Szyjkowska: Intermediality as an Artificial Structure for Eliciting Meaning – on the Example of B. Bertolucci’s Last Tango in Paris and the Paintings of Francis Bacon.

65

Aleksandra Hirszfeld: The Five Obstructions as Five Disguised Repetitions: Lars von Trier’s Creative Actions Laboratory.

76

Magdalena Strzałkowska: The Matter of Revealing Photography. Alfred Ligocki’s Contribution to So-called ‘Critical Arts’.

III. Chronicals

90

Iwona M. Malec: Description of E. Véron’s Aesthetics.

101

Authors’ Information

109

Notes for Contributors

110

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